Morris, a critic at ESPN’s Having developed a taste for podcasting whilst he was at In the early days of development, both hosts experimented with different roles, testing different formats, feeling out different formulas to see which would best capture the warmth and candour of their discussions. Since 2016, two of those velvet-toned hosts have been Jenna Wortham and Wesley Morris, longtime friends and colleagues at The New York Times, who headline the culture fix Still Processing. Perhaps now more than ever, Since its launch in September 2016, the show has always offered a thoughtful and entertaining mix of conversation as the hosts pore through TV, music, movies, art and the internet to ask ‘Can we cancel Michael Jackson?’ ‘Has J-Lo managed to evade the wrath of cancel culture?’ and ‘How does Returning to the show’s early beginnings is an uplifting, if slightly surreal exercise. Michelle Obama’s portrait is by the toilet!
No news; no Instagram or Twitter.
I’ve been trying to support friends’ businesses that are getting hit hard right now, and I toast a piece of gluten-free bread with lots of Kerrygold and top it with homemade almond butter. Remember that?” says Morris. The project, which featured a new set of Google Docs published on Tuesday, is an example of The Times’s embrace of technology in recent years to explore new ways to create and present stories.
Sometimes that’ll motivate us to watch it!” I’m doing this so you don’t have to, or because you don’t have time to. It was already the golden age of podcasting, back when we could ride the subway or drive to work with familiar voices in our ears. “But yeah. Unlearning that has been something the show has helped me with. I get a care package of latex gloves and CBD honey from my mom, and fancy dried teas from a TV producer friend in Los Angeles.
She co-hosts The New York Times podcast Still Processing.
“We went off about it, the episode came out and suddenly people were like, ‘What!?
Wesley Morris and Jenna Wortham Courtesy of The New York Times.
Returning to the show’s early beginnings is an uplifting, if slightly surreal exercise. Reading the New York Times Magazine article “I Want to Explore the Wonder of What It Is to be a Black American” beautifully written by Jenna Wortham on Oct. 8th, 2019.
After reading Jenna Wortham’s Vanity Fair “corona diary” […] “They tweeted out, ‘Due to the popularity of this exhibit, we’ve given Michelle Obama her own hall,’” says Wortham, laughing. “You get rolled oats, soak them in a pot of cold water, leave them for an hour or 90 minutes, or overnight,” says Wesley Morris, critic-at-large for It’s late March, and both the UK and US are entering an accelerated phase of the Covid-19 outbreak. One thing I’ve learned from working with youmis that there’s so much value, even in things that seem ‘bad,’ or ‘lowbrow’ or ‘not well made.’ Sometimes those things tell us a lot, or more even, than things that are ‘good’ or highly praised. I need a little comfort right now. “Any number of things can make me think ... ‘I don’t know if I want to experience this’,” says Morris. I’ve had to social-distance from social media, too. “We couldn’t believe it,” remembers Wortham. Jenna Wortham (born 1982) is a culture writer for The New York Times Magazine.
Just because it feels like everyone is talking about something, doesn’t mean that they are – that’s very much a bubbled reality.
“A very gay romantic comedy,” replies Wortham. By now, plenty of traditional media companies have hopped on the social media bandwagon, pumping out news updates on Facebook and Twitter.
By Jenna Wortham, The New York Times, 8/2. But do those companies have the time and resources to work yet another Web outlet into their daily routine?
“It’s funny thinking about it now,” says Wortham, “because it makes me so nostalgic for Brooklyn summers.” After several months of missed phone calls, trading voicemails back and forth, Morris and Wortham met for the first time in the summer of 2014.
Each has their own particular predilections – Morris devours film and TV, Wortham is an avid herbalist, well versed in yoga, crystals and astrology. Whatever you say, but we’ll take it.”Is it challenging to make a culture podcast, I ask, when more people will likely have read reviews about a particular film or play or TV show, than have watched it first hand? ?’” A couple of days later, the Smithsonian issued a sheepish statement, announcing that the painting would be moved. I don’t want to be Bridget, from While the show is in production – there are typically two seasons a year – the pair will discuss themes, ideas and talking points for each episode at twice-weekly meetings.
I have some CBD drops, put on my I feel a lot of love from friends today.
Mark Coatney certainly hopes so. I need a little bit of normalcy.
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