Jacques-Louis David Meets Kehinde Wiley is organized by the Brooklyn Museum and Musée national des châteaux de Malmaison et Bois-Préau with the support of … In both the lift and turn of the young man’s head and the open V of his zippered collar, this bronze refers to an eighteenth-century marble bust by Jean-Antoine Houdon.Yet in many other ways, Wiley’s work could hardly be more different: in substituting male for female, black for white, and present for past, he upends the earlier sculpture even as he quotes it. His radical reinterpretation encourages us to examine the stereotypes that can be found in portraiture. Take Wiley adapted the famously contorted torso of Clésinger’s female nude to show both the rear and front of his model: the viewer is confronted with both the alluring expanse of the white underwear and, at the same time, the searching face with open eyes and mouth. Stay tuned for updates on our reopening.Kehinde Wiley (American, b. 1977). Wiley’s signature portraits of everyday men and women riff on specific paintings by Old Masters, replacing the European aristocrats depicted in those paintings with contemporary black subjects, drawing attention to the absence of African Americans from historical and cultural narratives.The subjects in Wiley’s paintings often wear sneakers, hoodies, and baseball caps, gear associated with hip-hop culture, and are set against contrasting ornate decorative backgrounds that evoke earlier eras and a range of cultures.Through the process of “street casting,” Wiley invites individuals, often strangers he encounters on the street, to sit for portraits. KEHINDE WILEY. Kehinde Wiley: A New Republic is organized by Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum. In the last decade, he has become one of the most important artists of the moment, with work as relevant and resonant to the hip-hop generation as it is to high-end collectors and major museums. A fully illustrated catalogue published by the Brooklyn Museum and DelMonico Books • Prestel accompanies the exhibition. He first started this process while he was an Artist in Residence at the Studio Museum in 2001 and has since expanded this practice to projects in other countries as well. 1977). Brooklyn Museum, Mary Smith Dorward Fund Kehinde Wiley (American, b. KEHINDE WILEY STUDIO KW STUDIO. Wiley hat in den vergangenen Jahren aber auch schwarze Männer und Frauen aus Ländern wie Nigeria, Jamaika, Haiti oder Brasilien porträtiert. NOTE: This exhibition opens at the Brooklyn Museum August 27, 2021. 1977). COLLECTIONS American Art Arts of Africa Arts of the … Kehinde Wiley (American, born 1977). ABOUT. Kehinde Wiley (American, born 1977). Los Angeles native and New York based visual artist, Kehinde Wiley has firmly situated himself within art history’s portrait painting tradition. Additional support is provided by Sotheby’s, Ana and Lenny Gravier, Sean Kelly Gallery, Stephen Friedman Gallery, John and Amy Phelan, Roberts & Tilton, and Pamela K. and William A. Royall, Jr.On your next visit, use our app to ask your own questions, get info, and share insights by texting with our team of knowledgeable and friendly experts. Brooklyn Museum logo wordmark. Though Kehinde Wiley is best known for his painted portraits, here he shifts from painting to sculpture.
Collection About Education Support Press Become a Member. Jacques-Louis David (French, 1748–1825). The model was previously unknown to the artist, but struck him—perhaps by the strong cut of his jaw, perhaps by his leonine confidence—as a fitting candidate for the elaborate and sophisticated impersonation in which he was hired to participate.The model, who remains unnamed, is from Harlem (New York City), as was the original subject, Willem van Heythuysen, a Dutch wool merchant from Haarlem (the Netherlands), whose portrait was painted by Frans Hals in 1625. 1977). Kehinde Wiley (American, b. Seen together, the works by David and Wiley reveal how race, masculinity, power, and representation layer onto portraiture and shape the writing of history. From the moment of their unveiling at the Smithsonian’s National Portrait Gallery, Washington, D.C., in February 2018, the official portraits of President Barack Obama and Mrs. Michelle Obama have become iconic. 1977).
1977). By inviting the subjects to select a work of art, Wiley gives them a measure of control over the way they’re portrayed.The exhibition includes a selection of Wiley’s This exhibition is made possible by the Henry Luce Foundation, the National Endowment for the Arts, and Grey Goose Vodka. Passing/Posing, (Female Prophet Ann, Who Observes the Presentation of Jesus on the Temple) , 2003, Oil on canvas.
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