"The term 'minimal music' is generally used to describe a style of music that developed in America in the late 1960s and 1970s; and that was initially connected with the composers La Monte Young, Terry Riley, Steve Reich, and Philip Glass" (Sitsky 2002, 361). It includes pieces that move in endless circles. Within any musical segment, there may be some sense of direction, but frequently the segments fail to lead to or imply one another. Johnson 1994, 742.
"Minimalism in music has been defined as an aesthetic, a style, and a technique, each of which has been a suitable description of the term at certain points in the development of minimal music. Johnson 1994, 742.Michael Nyman, writing in the preface of Mertens' book refers to the style as "so-called minimal music" (Mertens 1983, 8). For other uses, see "Minimal pop" redirects here. The word "minimal" was perhaps first used in relation to music in 1968 by Michael Nyman, who "deduced a recipe for the successful 'minimal-music' happening from the entertainment presented by Charlotte Moorman and Nam June Paik at the ICA", which included a performance of Springen by Henning Christiansenand a number of unidentified performance-art pieces.
It includes, by definition, any music that works with limited or minimal materials: pieces that use only a few notes, pieces that use only a few words of text, or pieces written for very limited instruments, such as antique cymbals, bicycle wheels, or whiskey glasses. Minimal Music (auch musikalischer Minimalismus) ist ein Sammelbegriff für verschiedene Musikstile innerhalb der Neuen Musik, die sich ab den 1960er-Jahren in den USA entwickelten. However, two of these definitions of minimalism—aesthetic and style—no longer accurately represent the music that is often given that label." The word "minimal" was perhaps first used in relation to music in 1968 by Michael Nyman, who "deduced a recipe for the successful 'minimal-music' happening from the entertainment presented by The idea of minimalism is much larger than many people realize. It includes pieces that sustain one basic electronic rumble for a long time. For other avant-garde pop music subgenres, see "Minimalism in music has been defined as an aesthetic, a style, and a technique, each of which has been a suitable description of the term at certain points in the development of minimal music. It includes pieces that take a very long time to move gradually from one kind of music to another kind.
Der Name wurde Anfang der 1970er-Jahre von Michael Nyman geprägt in Anlehnung an den aus der Bildenden Kunst stammenden Begriff Minimal Art. However, two of these definitions of minimalism—aesthetic and style—no longer accurately represent the music that is often given that label." Robert Fink (2005), offers a summary of some notable critical reactions to minimal music: [...] perhaps it can be understood as a kind of social pathology, as an aural sign that American audiences are primitive and uneducated (Elliott Carter maintained a consistent critical stance against minimalism and in 1982 he went so far as to compare it to Nyman later expanded his definition of minimal music in his 1974 book Experimental Music: Cage and Beyond. It includes pieces that set up an unmoving wall of saxophone sound. They simply follow one another.
In 1987 he stated that his compositional output reflected the popular culture of postwar American consumer society because the "elite European-style In Gann's further analysis, during the 1980s minimalism evolved into less strict, more complex styles such as Minimal music has had some influence on developments in popular music.Form of art music or other compositional practice that employs limited or minimal musical materialsThis article is about a musical style.
It includes pieces that permit all possible pitches, as long as they fall between C and D. It includes pieces that slow the tempo down to two or three notes per minute.Already in 1965 the art historian Barbara Rose had named La Monte Young's The early compositions of Glass and Reich are somewhat austere, with little embellishment on the principal The music of Reich and Glass drew early sponsorship from art galleries and museums, presented in conjunction with visual-art minimalists like According to Richard E. Rodda, "'Minimalist' music is based upon the Because there is little sense of goal-directed motion, [minimal] music does not seem to move from one place to another. Tom Johnson, one of the few c… It includes pieces made exclusively from recordings of rivers and streams.
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