The lasting impression is of an artist whose only way is up. (AP)The decade’s second great Solange album churns several deformed, jazzy aesthetics – including Brainfeeder’s gloopy electro-funk and the concoctions of DJ Screw – into a lustrous cloud of R&B. Please they can to create a true meeting of independent Premium. “The panic room is now a nursery,” he observes on “Son of the Sea”. At her worst, she wallows in it. (AP)One of the biggest new rap stars to emerge in 2019, AJ Tracey’s variety and the scale of his ambition on this album is breathtaking. (AP)When Aldous Harding performed in London this month, an enamoured fan cried out that they loved her. Gone are the subtle inflections and lacquered psychedelia of Turn Blue; Let’s Rock is all about simple hooks and nagging choruses, “an homage”, in the words of drummer Patrick Carney, “to the electric guitar”. (JM)For her fifth studio album, Cate Le Bon went to live in a secluded cottage in the Lake District, where she sang to an empty house and took lessons in wood-carving. There are sax solos (more than one), and pounding rhythms that make you want to jump in a car and drive down a highway at sunset, and blistering electric guitars next to classic troubadour acoustics. This is precisely what Rapsody has done, in the most resonant way possible. (AP)One of the biggest new rap stars to emerge in 2019, AJ Tracey’s variety and the scale of his ambition on this album is breathtaking. And with a melody that ducks and dives in between the beat like a bank robber dodging lasers, the dark, dank pop-trap masterpiece “Bad Guy” is surely a contender for song of the year.
(RO)Big Thief’s frontwoman Adrianne Lenker has an uncanny ability to make you feel like you’re in on a secret.
This newfound drive can be heard in singles such as “LesAlpx”, a mind-melting track that climbs breathlessly towards its summit with a pounding bass beat and high, whistling chirps that punctuate the tension. (AP)The decade’s second great Solange album churns several deformed, jazzy aesthetics – including Brainfeeder’s gloopy electro-funk and the concoctions of DJ Screw – into a lustrous cloud of R&B. (AP)The debut solo album of the art-punk pioneer was never going to be predictable, easy-listening. (AP)Fans have already drawn comparisons between We Are Not Your Kind and Slipknot’s seminal 2001 album Iowa. Each track is a standout, none more so than “Ladbroke Grove”, a hat-tip to classic garage in which Tracey switches up his flow to emulate a Nineties MC. (AP)Written during her recent pregnancy and the birth of her first child, Remind Me Tomorrow shows Van Etten dimming her spotlight on toxicity and instead casting a warm glow behind the record’s psychic overview. (RO)Lana Del Rey has always been obsessed with the past. Log in to update your newsletter preferencesPlease (PS)Musically, Lost Girls couldn’t be more Eighties if it were playing a Commodore 64 while eating Angel Delight.
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