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yinka shonibare nelson's ship in a bottle

All images are property of Yinka Shonibare CBE (RA). Commissioned by the Mayor of London and supported by Arts Council England with sponsorship from Guaranty Trust Bank of Nigeria, Nelson's Ship in a Bottle is a scale replica of HMS Victory in a giant bottle.The artwork will be the first commission on the Fourth Plinth to reflect specifically on the historical symbolism of Trafalgar Square, which commemorates the Battle of Trafalgar, and will link directly with Nelson's column. It’s the way I view culture – it’s an artificial construct."

Shonibare became an Honorary Fellow of Goldsmiths' College in 2003, was awarded an On 3 December 2016, one of Shonibare's "Wind Sculpture" pieces was installed in front of the Smithsonian's National Museum of African Art (NMAA) in Washington, DC. A nonprofit organization, Art21’s mission is to inspire a more creative world through the works and words of contemporary artists. 2010 marks the 50th anniversary of Nigerian Independence. Check out Britannica's new site for parents! By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica.Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Mining Western art history and literature, he asks what constitutes our collective contemporary identity today. Yesterday the latest commission for the Fourth Plinth in Trafalgar Square was unveiled: Nelson’s Ship in a Bottle, by leading Anglo-Nigerian artist Yinka Shonibare.

This competition evinced Shonibare’s growing interest in public art. Features Categories  From his fourth-plinth installation Nelson's Ship in a Bottle in Trafalgar Square to his signature headless mannequins clothed in Dutch wax batik fabric, his works powerfully examine the interrelationship between identity, race and colonial history in a globalised world.. We are proud that Shonibare is Art UK's 2019 Patron. With Nelson's Ship in a Bottle I want to take this childhood sense of wonder and amplify it to match the monumental scale of Trafalgar Square."

He examines, in particular, the construction of identity and tangled interrelationship between Africa and Europe and their respective economic and political histories. Shonibare's work explores issues of colonialism alongside those of race and class, through a range of media which include painting, sculpture, photography, installation art, and, more recently, film and performance. It has 80 cannon and 37 sails set as on the day of battle. Mining Western art history and literature, he asks what constitutes our collective contemporary identity today. "But actually, the fabrics are not really authentically African the way people think," says Shonibare. Having descr… Having described himself as a ‘post-colonial’ hybrid, Shonibare questions the meaning of cultural and national definitions. Tying together historical and global threads, the work considers the legacy of British colonialism and its expansion in trade and Empire, made possible through the freedom of the seas that Nelson's Victory provided.Yinka Shonibare says his piece will reflect the story of multiculturalism in London:

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